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异形魔怪4
本片是《从地心窜出》系列的前传，前三集中肆虐人间的巨型怪物最早出现在此，位于内华达的一座盛产银矿的小镇，由于矿工纷纷离奇死亡，很快就成为空城，具有贵族身分的加默拥有当地的采矿权，雇用了外籍佣兵凯利来和这群怪物打交道，以免断了自己的财路，不过在镇上肆虐 的并非人类，加默和镇上幸存的镇民必须全副武装，以和这些巨型怪物開始了正面对决...
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更多 →251月
奇逢敌手
女警阿玲（舒淇 饰）身边有一对儿痴狂的追求者，但她的心思在那个梦中搭救她的白衣男子身上。好友祖儿（陈逸宁 饰）得到了一份前往马来西亚拍摄广告的工作，心情不佳的阿玲随同旅行。介绍祖儿工作的波比陈（林雪 饰）为人轻浮好色，暗中还是黑市交易中间人，波比陈正筹划从大哥潘（任达华 饰）手中引进飞弹导航系统，而这一交易，被两名私家侦探华哥（许绍雄 饰）和埃里克斯（安志杰 饰）伺机破坏。埃里克斯误会阿玲是波比陈的交易对象，而阿玲则认为埃里克斯是自己的梦中英雄，两人怀着不同的目的开始交往。另一方面，香港小贼阿蟹（杜汶泽 饰）盲打误撞破坏了波比陈和大哥潘的交易，几路人马陷入了冲突和误会……
281月
死产儿
影片讲述的是一位新妈妈 Mary （克里斯蒂·柏克 饰）保护新生儿 Adam（Grace Christensen 饰）的故事。Mary 生了一对双胞胎，但其中只有 Adam 存活了下来。在照顾 Adam 的过程中她疯狂地认为有某种超自然的实体在不惜任何代价地把 Adam 从她身边带走。
022月
等待方舟
Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.